Since its inaugural concert in 1941, the Ottawa Choral Society has evolved into one of Canada’s most ambitious and prominent symphonic choruses. With more than one hundred and twenty auditioned voices, the Society presents the masterpieces of the choral literature and commissions and performs the works of contemporary modern masters.
In addition to its self-produced subscription series, the Choir regularly appears as the guest of the National Arts Centre Orchestra and has partnered with the Ottawa Symphony Orchestra and the Ottawa Chamber Music Society. The Society is proud of its exciting initiatives that provide a platform for the City's children's and youth choirs and emerging professional concert artists.
ENGAGEMENTS with world-class conductors
The choir is honoured to have been invited to perform under the baton of many distinguished conductors, among them Alexander Shelley, Pinchas Zukerman, Helmuth Rilling, Mario Bernardi, Franz-Paul Decker, Franco Mannino, Trevor Pinnock, Jiri Belohlavek, Charles Dutoit, Nicholas McGegan, and Yannick Nézet-Séguin. Since 2001, the OCS has had the privilege of working with Duain Wolfe, the distinguished chorus master of the Chicago Symphony Orchestra, in the preparation of performances with the National Arts Centre Orchestra.
PRESENTING CANADA's GREAT CONCERT ARTISTS
The Society is proud to have shared its stage with such legendary artists as Maureen Forrester, Lois Marshall, Jon Vickers, Catherine Robbin, Ben Heppner, Richard Margison, Gary Relyea, and Joseph Rouleau. We are also proud to have introduced our audiences to the thrilling artistry of such artists as Donna Brown, Monica Whicher, Measha Brueggergosman, Shannon Mercer, Krisztina Szabo, Julie Nesrallah, Wallis Giunta, Daniel Taylor, Isaiah Bell, Gerald Finley, Russell Braun, and Philippe Sly.
Choral Society Music Director Jean-Sébastien Vallée is a rapidly rising conductor, a respected scholar, choral clinician, and adjudicator. Conductor at the Church of St. Andrew and St. Paul (Montreal), he is Director of Choral Studies and Chair of the Conducting Area at McGill University's Schulich School of Music. Previously, he was Director of Choral Studies at California State University in Los Angeles and a member of the choral faculty of the University of Redlands. Jean-Sébastien Vallée holds degrees from Université Laval, Université de Sherbrooke,University of California, Santa Cruz, and a doctorate in conducting from the University of Illinois Urbana-Champaign. His award-winning ensembles placed first and second at the 2011 San Luis Obispo International Choral Competition. In 2015, Maestro Vallée was the runner-up for the American Prize in Choral Conducting.
An ardent advocate for contemporary music, he regularly commissions works by emerging composers and programs rarely performed repertoire. His varied scholarly research is focused primarily on Renaissance French music, the oratorical works of Michael Tippett, and conducting pedagogy, particularly, the connection between audiation and gestural communication. He has been invited to present his research at numerous national and international conferences.
Founding Director of INSPIRAVI, a Los Angeles-based professional chamber choir, he maintains a busy performance, recording, and lecture schedule, and recently toured in China as Guest Conductor, and offered Masterclasses. Upcoming activities include a residency at the Cincinnati Conservatory of Music, a second tour of China, and participation as clinician in the 11th International Symposium on Choral Music in Barcelona in July 2017.
Born in Montreal (Canada), Simon Rivard is the Assistant Conductor of the Ottawa Choral Society and at The Church of St. Andrew and St. Paul in Montréal. In the summer of 2016, he served as Associate Conductor of the Orchestre de la Francophonie under Jean-Philippe Tremblay. Simon Rivard graduated with the highest honours from the Montreal Conservatory of Music in Violin Performance and Conducting. He is currently pursuing a Master’s degree in Orchestral Conducting at McGill University.
Simon Rivard has a special interest for modern and contemporary music. In the past year, he has worked closely with the McGill Contemporary Music Ensemble where he conducted the world-premieres of Moe Touizrar’s Au Bord du Léthé and Zeynep Toraman’s Epokhe. One of his most important passions is the musical education of children. In the past years, he has taught violin, choir and orchestra at the Garage à musique, a Sistema-based program offering free music lessons to children of an economically disadvantaged area of Montreal. In 2015, he initiated a yearly partnership with an orphanage in Haiti and led a team of highly qualified musicians to teach music to the children for three weeks. In 2015, he founded the POP! Petit Orchestre Philharmonique youth orchestra at the Coopérative des professeurs de musique de Montréal.
Scott Richardson, OCS Choir Accompanist
Scott Richardson is active in the Ottawa area as an accompanist and choir director. Scott grew up in Dartmouth, Nova Scotia, and studied music at Mount Allison University. He later completed a Ph.D. in English literature at the University of Ottawa.
Scott currently conducts Atlantic Voices and Musica Viva Singers, and is the rehearsal pianist for the Ottawa Choral Society. He has also accompanied the Carleton University Choir, the Canadian Centennial Choir and the Ottawa Children's Choir. As an organist and choir director, Scott has held various positions in the Atlantic Provinces and in Ottawa, and is now Music Director at Orleans United Church.
history of the Ottawa Choral Society
The Genesis 1860-1914
Over more than a century and a half there have been several Ottawa choirs known as the Ottawa Choral Society or Choral Union. The first Ottawa Choral Society was formed in November 1860 by music teacher Louis Fecht. A second choir of the same name, established in 1865 by Herbert G. R. Fripp, was active for at least two seasons. An Ottawa Choral Union existed in 1874-5 with Frederick W. Mills as its conductor. A third Ottawa Choral Society was conducted by Edward Fisher from 1875 to 1879; he later moved to Toronto where he founded the Toronto (now Royal) Conservatory of Music. A fourth Ottawa Choral society, conducted by J. Edgar Birch, was active from 1897 to 1914.
1940 - 1967
The present organization was formed in November 1940 as the Ottawa Choral Union; the name was changed to Ottawa Choral Society in 1957. Its founding director (1940-1953) was W. Allister Crandall, a federal government biologist, and organist of First United Church. The inaugural concert, to benefit war charities, was given in January 1941. During his tenure Mr. Crandall directed the choir in repertoire that included major choral works by Bach, Haydn, and Mendelssohn, and annual Messiah performances.
Following Mr. Crandall were conductors Myron McTavish (1953-1954), Joseph B. Herdman (1954-1955) and Dr. Frederick Karam (1955-1966). Dr. Karam also served as organist-choirmaster at St. Elijah Syrian Orthodox Church, conducted the Ottawa CBC Orchestra, and taught composition and voice at the University of Ottawa. In 1955 the choir gave the world premiere of Dr. Karam's Lazarus - a narrative cantata. Music Director for the 1966-1967 season was Robert van Dine.
The longest-serving Music Director to date was Brian Law (1967-1991), organist and choirmaster at St. Matthew's Church and music director of the Cantata Singers; he later became music director of the Ottawa Symphony Orchestra (OSO) and founding conductor of the chamber group Thirteen Strings. Under his leadership the OCS season expanded to four concerts, usually large symphonic works co-produced with the National Arts Centre Orchestra or the OSO. Memorable concerts during his tenure were Britten's War Requiem (1977 and 1985) and the Berlioz Requiem, presented at the fiftieth anniversary concert in 1991. The choir toured Italy (1982) and Spain (1989) with Mr. Law. He resigned in November 1991 to take up conducting duties in New Zealand.
Mr. Law's successor was Iwan Edwards (1992-1997; 2001-2005), McGill professor and Montreal Symphony Orchestra Chorus Master. In recognition of his choral conducting skills, Mr. Edwards was made a Member of the Order of Canada in 1995. Major undertakings during this period were Bach's Mass in B Minor and The Christmas Oratorio, and a tour of Germany and the Czech Republic (1996), with performances in Karlovy Vary, Prague and Munich. His interpretation of Handel's Saul at the NAC in March 2004 will be remembered as a milestone in the choir's history.
Taking the OCS into the new millennium was Dr. Daniel Gordon (1998-2001) of the Crane College of Music in Potsdam, New York. Dr. Gordon led the choir on a tour of the United Kingdom and Ireland in October 2000. BBC Northern Ireland produced a documentary which was televised across Britain, featuring the choir's collaboration with the Belfast Philharmonic Choir and the Ulster Orchestra in Michael Tippett's masterpiece A Child of our Time.
After Iwan Edwards' second term with the OCS, he was succeeded by Matthew Larkin, the accomplished organist and choirmaster of Christ Church Cathedral, Ottawa. Highlights of Mr. Larkin's tenure (2005-2012) were the choir's 2008 tour of Italy, where the OCS performed for enthusiastic audiences in major churches in Venice, Florence and Rome, and the 2010 performance of Bach's St. Matthew Passion.
The 100-voice Ottawa Choral Society continued to flourish under the inspiring leadership of Jordan de Souza, who was Artistic Director from 2012 to 2015. His other musical activities included the post of Conductor at Montréal's Church of St. Andrew and St. Paul, assistant conducting at the Canadian Opera Company, and frequent appearances as a keyboard performer.
Kevin Reeves, founding conductor of the Seventeen Voyces chamber choir, served as OCS Associate Music Director from 2010 to 2015.
2015 and Beyond
The choir celebrated its 75th Anniversary season, 2015-2016, with the return of Iwan Edwards, Matthew Larkin and Kevin Reeves as guest conductors, and a gala performance of Mendelssohn's Elijah, conducted by Duain Wolfe. With the appointment of McGill professor Dr. Jean-Sébastien Vallée as Artistic Director in September 2016, the choir began an exciting new chapter of choral music performances in the National Capital Region.